About We're All Going to the World's Fair
We're All Going to the World's Fair (2021) is a hauntingly atmospheric drama-horror that masterfully captures the eerie isolation of the digital age. Directed by Jane Schoenbrun, the film follows Casey, a lonely teenager who becomes deeply immersed in an online role-playing horror game called the 'World's Fair Challenge.' From her attic bedroom, she begins filming herself, documenting the strange and possibly supernatural changes she believes are happening to her. The line between reality, performance, and digital hallucination blurs as her journey progresses.
Anna Cobb delivers a remarkable debut performance as Casey, portraying adolescent alienation and creeping dread with unsettling authenticity. The film's minimalist approach and lo-fi aesthetic create a deeply immersive and claustrophobic experience, using webcam footage and computer screens to pull viewers into Casey's fragmented reality. Schoenbrun's direction is subtle yet powerful, exploring themes of identity, loneliness, and the search for connection in virtual spaces.
This is not a conventional horror film with jump scares, but a psychological slow-burn that lingers in the mind. Its ambiguous narrative invites multiple interpretations, making it perfect for viewers who appreciate thoughtful, character-driven mysteries. The 86-minute runtime is taut and purposeful, maintaining a consistent mood of unease. Watch We're All Going to the World's Fair for a unique cinematic experience that reflects our contemporary anxieties about technology, selfhood, and the blurred boundaries of online existence.
Anna Cobb delivers a remarkable debut performance as Casey, portraying adolescent alienation and creeping dread with unsettling authenticity. The film's minimalist approach and lo-fi aesthetic create a deeply immersive and claustrophobic experience, using webcam footage and computer screens to pull viewers into Casey's fragmented reality. Schoenbrun's direction is subtle yet powerful, exploring themes of identity, loneliness, and the search for connection in virtual spaces.
This is not a conventional horror film with jump scares, but a psychological slow-burn that lingers in the mind. Its ambiguous narrative invites multiple interpretations, making it perfect for viewers who appreciate thoughtful, character-driven mysteries. The 86-minute runtime is taut and purposeful, maintaining a consistent mood of unease. Watch We're All Going to the World's Fair for a unique cinematic experience that reflects our contemporary anxieties about technology, selfhood, and the blurred boundaries of online existence.


















